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The Maycomb jail was the most venerable and hideous of the county’s buildings. Atticus said it was like something Cousin Joshua St Clair might have designed. It was certainly someone’s dream. Starkly out of place in a town of square-faced stores and steep-roofed houses, the Maycomb jail was a miniature Gothic joke one cell wide and two cells high, complete with tiny battlements and flying buttresses. Its fantasy was heightened by its red brick façade and the thick steel bars at its ecclesiastical windows. It stood on no lonely hill, but was wedged between Tyndal’s Hardware Store and the
Maycomb Tribune office. The jail was Maycomb’s only conversation piece: its detractors said it looked like a Victorian privy; its supporters said it gave the town a good solid respectable look, and no stranger would ever suspect that it was full of niggers.
As we walked up the sidewalk, we saw a solitary light burning in the distance. “That’s funny,” said Jem, “jail doesn’t have an outside light.”
“Looks like it’s over the door,” said Dill.
A long extension cord ran between the bars of a second floor window and down the side of the building. In the light from its bare bulb, Atticus was sitting propped against the front door. He was sitting in one of his office chairs, and he was reading, oblivious of the nightbugs dancing over his head.
I made to run, but Jem caught me. “Don’t go to him,” he said, “he might not like it. He’s all right, let’s go home. I just wanted to see where he was.”
We were taking a short cut across the square when four dusty cars came in from the Meridian highway, moving slowly in a line. They went around the square, passed the bank building, and stopped in front of the jail.
Nobody got out. We saw Atticus look up from his newspaper. He closed it, folded it deliberately, dropped it in his lap, and pushed his hat to the back of his head. He seemed to be expecting them.
“Come on,” whispered Jem. We sneaked across the square, across the street, until we were in the shelter of the Jitney Jungle door. Jem peeked up the sidewalk. “We can get closer,” he said. We ran to Tyndal’s Hardware door — near enough, at the same time discreet.
In ones and twos, men got out of the cars. Shadows became substance as light revealed solid shapes moving towards the jail door. Atticus remained where he was. The men hid him from view.
“He in there, Mr Finch?” a man said.
“He is,” we heard Atticus answer, “and he’s asleep. Don’t wake him up.”
Harper Lee,
To Kill a Mockingbird (Mandarin, 1989)